——多芬的航灯。

——多芬的航灯。

East to East describes a journey from Eastern Europe to China, bringing together work made over an extended period of time. Klavdij Sluban's use of deep blacks and backlit silhouettes imbues his work with a highly individual photographic style. These powerful images are remarkably moody and atmospheric. Published simultaneously in six countries in six languages. Klavdij Slub...(展开全部)

This Gem explores and explains the world of whales and dolphins. Over 50 species of whale, dolphin and porpoise are illustrated with the author's own photographs. Aspects covered include: evolution; identification; biology; zoological categorization; feeding habits; and predators. The book answers commonly-asked questions, such as "how intelligent are dolphins?" and "should wha...(展开全部)

At a time when the world was politically divided into East and West, Magnum photographer Harry Gruyaert’s quest for light and sensuality led him to capture the colours of two very different worlds: the vibrant glitziness of Las Vegas and Los Angeles in 1981 and the austere restraint of Moscow in 1989, just before the fall of the Soviet Union. Although his intention was not to d...(展开全部)

At a time when the world was politically divided into East and West, Magnum photographer Harry Gruyaert’s quest for light and sensuality led him to capture the colours of two very different worlds: the vibrant glitziness of Las Vegas and Los Angeles in 1981 and the austere restraint of Moscow in 1989, just before the fall of the Soviet Union. Although his intention was not to d...(展开全部)

這本厚478 頁的《GOGO MONSTER》，是松本大洋2000年底出版的作品。在松本大洋歷年的作品中規格非常特殊，放在日本漫畫的脈絡中也非常少見：精裝、書盒、書邊刷色還網印圖案、厚度更是一般漫畫的三倍！整體看起來與其說是日漫，更像是歐美漫畫作品。此外，松本大洋創作本書時，未在漫畫期刊連載，而是埋首投入三年光陰，畫完成後直接成書出版。 松本大洋在受訪時曾表示，1997年結束了神作《乒乓》的連載後，因對日本漫畫週刊快速的連載速度感到疲憊，加上去了一趟法國安古蘭國際漫畫節，和法國漫畫名家墨必斯、德魁西等人交流後受到很大刺激，對於歐洲漫畫作者在劇情和畫面表現方式，以及構思單一作品的創作速度感到羨慕，《GOGO MONSTER》便是他嘗試跳脫日漫連載的創作模式，深入挖掘內心所創作出的深沉之作。 本書找來日本裝幀大師祖父江慎設計，漫畫內容其實從精裝書封就開始...(展开全部)

這本厚478 頁的《GOGO MONSTER》，是松本大洋2000年底出版的作品。在松本大洋歷年的作品中規格非常特殊，放在日本漫畫的脈絡中也非常少見：精裝、書盒、書邊刷色還網印圖案、厚度更是一般漫畫的三倍！整體看起來與其說是日漫，更像是歐美漫畫作品。此外，松本大洋創作本書時，未在漫畫期刊連載，而是埋首投入三年光陰，畫完成後直接成書出版。 松本大洋在受訪時曾表示，1997年結束了神作《乒乓》的連載後，因對日本漫畫週刊快速的連載速度感到疲憊，加上去了一趟法國安古蘭國際漫畫節，和法國漫畫名家墨必斯、德魁西等人交流後受到很大刺激，對於歐洲漫畫作者在劇情和畫面表現方式，以及構思單一作品的創作速度感到羨慕，《GOGO MONSTER》便是他嘗試跳脫日漫連載的創作模式，深入挖掘內心所創作出的深沉之作。 本書找來日本裝幀大師祖父江慎設計，漫畫內容其實從精裝書封就開始...(展开全部)

FOR USE IN SCHOOLS AND LIBRARIES ONLY. A young Indian girl learns the art of survival when she is stranded on an isolated Pacific island.

In the Pacific, there is an island that looks like a big fish sunning itself in the sea. Around it blue dolphins swim, otters play, and sea birds abound. Karana is the Indian girl who lived alone for years on the Island of the Blue Dolphins. Hers is not only an unusual adventure of survival, but also a tale of natural beauty and personal discovery.